Home » Archaeological Terms » Aryballos | Definition

Aryballos | Definition

4–6 minutes
Aryballos

“Aryballos”

Pronunciation: /ˌærɪˈbæləs/ (air-ih-BAL-uss)

Part of Speech: Noun

Quick Definition: A small, usually spherical or pear-shaped ancient Greek vessel used for carrying oil or perfume.

General Use: “The athlete carried a leather strap with his bronze strigil and his miniature clay Aryballos to the gymnasium for his daily exercise and cleaning ritual. Therefore, it was an essential piece of equipment.”

Corinthian Miniatures – The earliest examples of the Aryballos were often produced in Corinth. These miniature vessels were decorated with fine details and bands of animals, showcasing monumental early Greek painting.

The Poison Holder – Due to their small, portable size and narrow opening, these flasks were occasionally repurposed. Historical accounts suggest that the Aryballos was sometimes used to secretly carry poison by those involved in political intrigue.

The Strap Loops – Many clay and bronze examples feature small pierced lugs or loops on the shoulder of the flask. These were used for attaching a cord or strap, allowing the Aryballos to be worn on the wrist or belt, making the item highly portable.

Did you know?

The Aryballos was the standard item for Greek athletes visiting the gymnasium or palaestra. Before exercise, oil was poured from the vessel onto the body. Afterward, the mixture of sweat, oil, and dust was scraped off using a bronze tool called a strigil. This practice was fundamental to Greek hygiene and social custom.

Aryballos Definition (Primary Context)

The Aryballos is a distinct type of Greek pottery vessel recognizable by its short, narrow neck, broad lip, and single handle, often leading to a squat, round body. The small opening was deliberately designed to minimize spillage of the costly oil or perfume it contained. This vessel contrasts with the larger lekythos, which was primarily used for funerary rites, although both held oil. The Aryballos replaced the earlier spherical alabastron in popularity for athletic use.

Greek: aryballos (ἀρύβαλλος), possibly related to aryter (a ladle).

Oil Flask, Perfume Jar, Globular Flask, Oil Vessel.

Amphora (large storage jar), Krater (mixing bowl), Hydria (water jar).

Lekythos, Alabastron, Oinochoe, Container.

Historical Context of Aryballos

The earliest forms of the Aryballos appeared in the Protocorinthian period (c. 730 BCE). They quickly became popular due to their compact size and efficient design. Corinth became the primary producer of these flasks. Corinthian artists exported thousands of highly decorated miniaturized Aryballoi across the Mediterranean world, demonstrating significant trade. Later, Athenian workshops adopted the form, though it remained associated primarily with Corinthian style for decades.

Aryballos
A sculptor working on a large clay figure, with the underlying wire and wooden armature clearly visible beneath the partially applied clay, supporting the weight and defining the pose.

Social Context of Aryballos

The widespread presence of the Aryballos reflects the importance of the gymnasium in Greek public life. Attending the gymnasium was a fundamental social and physical practice for male citizens. Therefore, possessing an Aryballos signified one’s dedication to physical culture and civic participation. These small flasks were often made in expensive materials like bronze or glass for wealthy patrons, while common citizens used mass-produced terracotta examples. The item thus bridged multiple social classes.

Area of InfluenceSignificance and Impact
Athletic HygieneThe Aryballos was indispensable for oiling the body before exercise. This protected the skin and was a mark of civic activity.
Trade and CommerceCorinthian workshops utilized the compact, easy-to-transport size of the vessel. This helped them dominate the export market for small luxury goods.
Artistic CanvasesThe spherical surface of the Corinthian Aryballos provided a perfect, small canvas for minute, detailed depictions of mythological creatures and animals.
Everyday LifeThe flask was not just for the gym. It was a common, small personal possession. This container held sweet-smelling substances for use in daily grooming.9

The Aryballos is one of several vessels used in personal care and athletics. Understanding these related terms provides essential context for Greek daily life and pottery classification. This provides a clearer view of the pottery framework surrounding the athletic complex.

Aryballos
A ceramic piece in progress, with a simple, temporary armature (perhaps of newspaper or foam) clearly visible inside a hollow section, designed to be removed before firing.
Term/ConceptDescription and Relevance
LekythosA larger oil flask with a taller neck. This container was primarily used in funerary rites.
StrigilThe curved bronze scraping tool used to remove oil, sweat, and dirt from the skin after exercise.
GymnasiumThe public facility used for exercise, where the vessel was used daily by athletes.
AlabastronAn earlier, elongated vessel for oil. The Aryballos eventually superseded this vessel for athletic use.
OilThe substance, usually olive oil, contained within the flask. This was used for anointing and cleansing the body.
PalaestraThe exercise court within the gymnasium complex. This area was the main location where the vessel was employed.

Sources & Credits

Sources
  • Boardman, J. “Early Greek Vase Painting: 11th-6th Centuries BC.” Thames & Hudson, 1998. [Historical source]
  • The Metropolitan Museum of Art (The Met). “Greek Vases and their Uses.” Heilbrunn Timeline of Art History. [Museum site]
  • Corinth Excavations. “Pottery of Ancient Corinth.” American School of Classical Studies at Athens. [Historical source]
  • Noble, J. V. “The Techniques of Painted Attic Pottery.” Thames & Hudson, 1988. [Historical source]
  • “Aryballos.” Lexicon of Greek Pottery. [Definition site]

More Archeological Terms

Click Here



Nazca Lines

Nazca Culture (with some earlier Paracas influence). c. 500 BCE – 500 CE (Nazca culture flourished c. 1–700 CE). Peruvian […]



Chan Chan

Chimú Kingdom (Chimor) c. 850 AD – 1470 AD (Peak c. 1300–1470 AD) Moche Valley, North Coast of Peru (near […]



Nzinga Mbande

Nzinga Mbande, also known as Queen Nzinga or Ana de Sousa Nzinga Mbande, stands as a towering figure of resistance […]



Olmec Head Statues

The Olmec heads statues stone sculptures, stand as a testament to the sophisticated art skills and societal complexity of the […]



Tulum Cenotes

The limestone bedrock of Quintana Roo, Mexico, conceals a labyrinth of subterranean wonders: the Tulum cenotes. These sinkholes, portals to […]



Great Pyramid Of Cholula

The Great Pyramid of Cholula, a sprawling testament to Mesoamerican ingenuity, rises from the heart of Mexico’s Puebla Valley, a […]



The Head of Nefertiti

The Head of Nefertiti (Bust of Nefertiti), a painted limestone bust, is an iconic representation of ancient Egyptian artistry and […]


"Weather-worn 'Cradle of Humankind' sign with UNESCO World Provenance Definition: Heritage emblem, showing trilingual labeling (English/Spanish/French) at this South African paleoanthropological site where early hominin fossils were discovered in limestone caves."

Provenance

“Provenance “ Pronunciation: /ˈprɒvənəns/ (PROV-uh-nuhns) or /ˈprɒvɪnəns/ (PROV-in-uhns) Part of Speech: Noun Provenance Definition: Provenance, in the context of archaeology, […]



Montezuma Well

SINAGUA CULTURE 1125-1400 AD City/Area: Rimrock, Arizona Region/Country: Verde Valley, Arizona, United States Site Area: Well itself approximately 370 feet […]


Euphronios Krater, red-figure Greek vase depicting Sarpedon's death

Krater | Definition | Historical Context

“Krater “ Plural: Kraters or Krateres) Pronunciation: /ˈkreɪtər/ (KRAY-ter) Part of Speech: Noun Krater Definition: A krater was a large, […]



Polis (Greek City-State) | Definition | Historical Context

“Polis “ Pronunciation: /ˈpɒlɪs/ (POL-iss) or /ˈpoʊləs/ (POH-lus) Part of Speech: Noun (plural: poleis) Polis Definition: A polis in ancient […]



Trojan War Chorus Masks

The haunting visages of Greek masks, particularly those associated with the Trojan War chorus, offer a window into the dramatic […]